{"id":9401,"date":"2026-08-19T19:33:36","date_gmt":"2026-08-19T17:33:36","guid":{"rendered":"https:\/\/tunelockr.com\/?page_id=9401"},"modified":"2026-08-19T19:52:14","modified_gmt":"2026-08-19T17:52:14","slug":"sell-a-song-to-an-artist","status":"publish","type":"page","link":"https:\/\/tunelockr.com\/es\/sell-a-song-to-an-artist\/","title":{"rendered":"Sell a Song to an Artist: The Ultimate 8-Step Guide"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"9401\" class=\"elementor elementor-9401\">\n\t\t\t\t<div class=\"elementor-element elementor-element-275438e e-flex e-con-boxed e-con e-parent\" data-id=\"275438e\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ce827f6 elementor-widget elementor-widget-html\" data-id=\"ce827f6\" data-element_type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<!--\n=========================================================\nSEO SETTINGS \u2014 TUNELOCKR\n=========================================================\n\nPRIMARY KEYWORD:\nsell a song to an artist\n\nSECONDARY KEYWORDS:\nhow to sell a song to an artist\nsell a song to a singer\nsell songs to artists\nhow to pitch a song to an artist\npitch a song to an artist\nsell your song\nsong pitching\nsong placement\nsell song lyrics\nhow songwriters sell songs\nhow to get an artist to record your song\nhow much can you sell a song for\nhow to submit a song to an artist\nsongwriter publishing deal\n\nRECOMMENDED URL:\nhttps:\/\/tunelockr.com\/en\/sell-a-song-to-an-artist\/\n\nSEO TITLE:\nSell a Song to an Artist: Proven 8-Step Guide (2026)\n\nMETA DESCRIPTION:\nWant to sell a song to an artist? Learn how to pitch your song, protect your demo, find the right artists and publishers, negotiate rights and get paid.\n\nH1:\nHow to Sell a Song to an Artist: The Complete Songwriter Guide\n\nSEARCH INTENT:\nInformational + commercial\nSongwriter wants to pitch \/ place \/ monetize an original song.\n\nLANGUAGE:\nEnglish\n\nTARGET:\nUS \/ UK \/ Canada \/ Australia \/ international English-speaking songwriters\n=========================================================\n\nv3 UPDATE \u2014 FULL-WIDTH PILLAR LAYOUT:\n- Layout rebuilt as a true pillar page: full-width hero\n  (2-column, text + image), then a 2-column shell below\n  (content + sticky sidebar) instead of a narrow single\n  centered column.\n- Sidebar is sticky and contains a condensed table of\n  contents + a persistent \"Protect My Song\" CTA card that\n  stays visible while scrolling \u2014 this is the single\n  biggest conversion lever on a long-form page, since\n  visitors no longer have to scroll back up or down to\n  find the CTA.\n- Hero image is now a proper visual card next to the\n  intro copy (same pattern as the \"Prot\u00e9ger ma musique\"\n  hero) instead of a plain inline image under the H1.\n- All copy, internal\/external links, FAQ answers and\n  JSON-LD are unchanged from the approved version \u2014 only\n  layout and visual weight changed.\n- og:image \/ twitter:card + ImageObject + HowTo schema\n  (8 steps) kept, for rich results and AI-answer citability.\n=========================================================\n-->\n\n<link rel=\"canonical\" href=\"https:\/\/tunelockr.com\/en\/sell-a-song-to-an-artist\/\" \/>\n\n<link rel=\"alternate\"\n      hreflang=\"en\"\n      href=\"https:\/\/tunelockr.com\/en\/sell-a-song-to-an-artist\/\" \/>\n\n<link rel=\"alternate\"\n      hreflang=\"fr\"\n      href=\"https:\/\/tunelockr.com\/vendre-une-chanson-a-un-artiste\/\" \/>\n\n<meta property=\"og:title\"\n      content=\"Sell a Song to an Artist: Proven 8-Step Guide (2026)\" \/>\n\n<meta property=\"og:description\"\n      content=\"Learn how to sell a song to an artist, pitch your demo professionally, protect your work before sharing it and understand the deal behind a song placement.\" \/>\n\n<meta property=\"og:url\"\n      content=\"https:\/\/tunelockr.com\/en\/sell-a-song-to-an-artist\/\" \/>\n\n<meta property=\"og:type\"\n      content=\"article\" \/>\n\n<meta property=\"og:image\"\n      content=\"https:\/\/tunelockr.com\/wp-content\/uploads\/2026\/08\/sell-a-song-to-an-artist-tunelockr.png\" \/>\n\n<meta property=\"og:image:width\" content=\"1200\" \/>\n<meta property=\"og:image:height\" content=\"630\" \/>\n\n<meta property=\"og:image:alt\"\n      content=\"Songwriter sending a protected demo to an artist before pitching a song, illustrated with a certified envelope and a microphone\" \/>\n\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n\n<meta name=\"twitter:title\"\n      content=\"Sell a Song to an Artist: Proven 8-Step Guide (2026)\" \/>\n\n<meta name=\"twitter:description\"\n      content=\"Want to sell a song to an artist? Learn how to pitch your song, protect your demo, find the right artists and publishers, negotiate rights and get paid.\" \/>\n\n<meta name=\"twitter:image\"\n      content=\"https:\/\/tunelockr.com\/wp-content\/uploads\/2026\/08\/sell-a-song-to-an-artist-tunelockr.png\" \/>\n\n\n<article class=\"tla-page\">\n\n<!-- ============================================================\n     FULL-WIDTH HERO\n     ============================================================ -->\n<section class=\"tla-hero-full\">\n  <span class=\"tla-hero-glow\" aria-hidden=\"true\"><\/span>\n\n  <div class=\"tla-hero-wrap\">\n\n    <div class=\"tla-hero-copy\">\n\n      <p class=\"tla-eyebrow\">Songwriting Guide \u00b7 Updated 2026 \u00b7 TuneLockr<\/p>\n\n      <h1>How to Sell a Song to an Artist: The Complete Songwriter Guide<\/h1>\n\n      <p class=\"tla-lead\">\n      If you want to <strong>sell a song to an artist<\/strong>, the process usually involves much more than sending an MP3 and asking for a price.\n      You need a song that fits the artist, a strong demo, a professional pitch, clear information about who wrote the song, and a clear understanding of the rights being discussed.\n      <\/p>\n\n      <p class=\"tla-lead\">\n      There is also one step that should happen <strong>before your song starts circulating<\/strong>: document the exact version you are about to send.\n      Your demo may move from an artist to a producer, manager, publisher, A&amp;R representative or label very quickly.\n      <\/p>\n\n      <div class=\"tla-hero-actions\">\n        <a href=\"https:\/\/app.tunelockr.com\/\"\n           rel=\"nofollow sponsored\"\n           class=\"cta-button\">\n        \ud83d\udee1\ufe0f Protect My Song Before I Pitch It\n        <\/a>\n      <\/div>\n\n      <p class=\"tla-micro\">\n      First deposit available \u00b7 Private files \u00b7 Timestamped record \u00b7 Verifiable certificate\n      <\/p>\n\n    <\/div>\n\n    <div class=\"tla-hero-visual\">\n      <img fetchpriority=\"high\" decoding=\"async\"\n        src=\"https:\/\/tunelockr.com\/wp-content\/uploads\/2026\/08\/sell-a-song-to-an-artist-tunelockr.png\"\n        alt=\"Songwriter sending a protected demo to an artist before pitching a song, illustrated with a certified envelope traveling from a laptop to a microphone\"\n        width=\"1200\"\n        height=\"630\"\n        class=\"tla-hero-img\"\n        loading=\"eager\"\n        fetchpriority=\"high\"\n      \/>\n    <\/div>\n\n  <\/div>\n<\/section>\n\n\n<!-- ============================================================\n     SHELL \u2014 content (left) + sticky sidebar (right)\n     ============================================================ -->\n<div class=\"tla-shell\">\n\n<main class=\"tla-content\">\n\n\n<section>\n\n<h2 id=\"what-does-selling-a-song-mean\">What Does It Mean to Sell a Song to an Artist?<\/h2>\n\n<p>\nThe phrase <strong>\u201csell a song to an artist\u201d<\/strong> is useful shorthand, but the music business is more nuanced.\n<\/p>\n\n<p>\nAn artist may want to record a song you wrote without purchasing every right connected to it.\nIn many situations, the commercial relationship involves permission to use or record the underlying composition while the songwriter continues to participate in songwriting and publishing income according to the agreement.\n<\/p>\n\n<p>\nA song can involve at least two distinct assets:\n<\/p>\n\n<table>\n<thead>\n<tr>\n<th>Asset<\/th>\n<th>What it includes<\/th>\n<th>Typical creators \/ owners<\/th>\n<\/tr>\n<\/thead>\n\n<tbody>\n<tr>\n<td><strong>Musical composition<\/strong><\/td>\n<td>Melody, lyrics and original musical elements<\/td>\n<td>Songwriters, composers, lyricists, publishers<\/td>\n<\/tr>\n\n<tr>\n<td><strong>Sound recording \/ master<\/strong><\/td>\n<td>A particular recorded performance of that composition<\/td>\n<td>Artist, producer, record company or other master owner<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n<p>\nThe <a href=\"https:\/\/www.copyright.gov\/engage\/musicians\/\" target=\"_blank\" rel=\"noopener noreferrer\">\nU.S. Copyright Office explains that a musical work and a sound recording are separate copyright-protected works\n<\/a>.\n<\/p>\n\n<p>\nThis distinction matters enormously when you negotiate with an artist.\n<\/p>\n\n<p>\nIf the artist records a completely new version of your song, you may be discussing rights in the <strong>composition<\/strong>, not the ownership of your existing demo recording.\n<\/p>\n\n<p>\nFor a deeper explanation, read TuneLockr's\n<a href=\"https:\/\/tunelockr.com\/en\/2025\/07\/11\/music-copyright\/\">\ncomplete guide to music copyright\n<\/a>.\n<\/p>\n\n<\/section>\n\n\n<section id=\"8-steps\">\n\n<h2>How to Sell a Song to an Artist in 8 Steps<\/h2>\n\n<p>\nIf you are looking for the shortest practical answer to <strong>how to sell a song to an artist<\/strong>, use this process:\n<\/p>\n\n<ol class=\"tla-steps\">\n<li><strong>Finish a pitchable version of the song.<\/strong><\/li>\n<li><strong>Clarify the writers, contributors and splits.<\/strong><\/li>\n<li><strong>Document the exact version before sharing it.<\/strong><\/li>\n<li><strong>Research artists who genuinely fit the song.<\/strong><\/li>\n<li><strong>Identify the artist, manager, producer, publisher or A&amp;R contact.<\/strong><\/li>\n<li><strong>Send a short, targeted song pitch.<\/strong><\/li>\n<li><strong>Discuss price, publishing, credits, exclusivity and usage rights.<\/strong><\/li>\n<li><strong>Put the final agreement in writing before rights or files are transferred.<\/strong><\/li>\n<\/ol>\n\n<p>\nThe key is sequence.\n<\/p>\n\n<p class=\"tla-sequence\">\n<strong>Prepare \u2192 document \u2192 pitch \u2192 negotiate \u2192 sign.<\/strong>\n<\/p>\n\n<p>\nDo not wait until an artist becomes interested before trying to reconstruct when the song was created and which version you originally sent.\n<\/p>\n\n<\/section>\n\n\n<section id=\"prepare-song\">\n\n<h2>1. Prepare a Song an Artist Can Actually Imagine Recording<\/h2>\n\n<p>\nBefore you try to sell songs to artists, ask one uncomfortable but essential question:\n<\/p>\n\n<p>\n<strong>Is this song genuinely ready to compete with the material the artist already has access to?<\/strong>\n<\/p>\n\n<p>\nYou do not necessarily need a fully mastered commercial recording.\nYou do need a demo that communicates the song immediately.\n<\/p>\n\n<h3>A strong pitching demo should make these elements clear:<\/h3>\n\n<ul>\n<li>the main melody;<\/li>\n<li>the hook;<\/li>\n<li>the lyrics;<\/li>\n<li>the verse and chorus structure;<\/li>\n<li>the emotional direction;<\/li>\n<li>the vocal range;<\/li>\n<li>the genre and production potential.<\/li>\n<\/ul>\n\n<p>\nFor many pitches, clarity is more important than expensive production.\n<\/p>\n\n<p>\nA producer or artist should be able to hear the demo and think:\n<strong>\u201cI know what I could do with this.\u201d<\/strong>\n<\/p>\n\n\n<h3>Your basic song pitch package<\/h3>\n\n<ul>\n<li>one strong demo;<\/li>\n<li>song title;<\/li>\n<li>songwriter names;<\/li>\n<li>lyrics;<\/li>\n<li>genre;<\/li>\n<li>tempo if useful;<\/li>\n<li>private streaming link;<\/li>\n<li>contact information;<\/li>\n<li>split information where relevant.<\/li>\n<\/ul>\n\n<p>\nAvoid attaching a huge folder of unrelated songs.\nA targeted pitch generally has a much clearer purpose than sending your complete catalog.\n<\/p>\n\n<\/section>\n\n\n<section id=\"protect-before-pitching\">\n\n<h2>2. Protect Your Song Before You Pitch It to an Artist<\/h2>\n\n<p>\nThis is the part many new songwriters reverse.\n<\/p>\n\n<p>\nThey send the song first and think about documentation later.\n<\/p>\n\n<p>\nBut once a song is shared, the file can move quickly:\n<\/p>\n\n<ul>\n<li>songwriter \u2192 artist;<\/li>\n<li>artist \u2192 producer;<\/li>\n<li>producer \u2192 manager;<\/li>\n<li>manager \u2192 label;<\/li>\n<li>label \u2192 A&amp;R;<\/li>\n<li>publisher \u2192 other writers or artists.<\/li>\n<\/ul>\n\n<p>\nCreating a clear record <strong>before the first external share<\/strong> gives you a much cleaner creation timeline.\n<\/p>\n\n<p>\nKeep your DAW sessions, drafts, voice notes, stems, exports and written communications.\nYou can also create a timestamped record of the exact demo being pitched.\n<\/p>\n\n<p>\nTuneLockr is designed for this stage:\n<a href=\"https:\/\/tunelockr.com\/en\/how-to-protect-your-music\/\">\nlearn how to protect your music before sharing it\n<\/a>.\n<\/p>\n\n\n<aside class=\"cta-box\">\n\n<h3>Before You Send the Demo<\/h3>\n\n<p>\nUpload the exact version you are about to pitch and create a timestamped, verifiable record before it leaves your control.\n<\/p>\n\n<ul>\n<li>\ud83d\udd12 Private submission<\/li>\n<li>\ud83e\uddec Cryptographic file fingerprint<\/li>\n<li>\u23f1 Timestamped record<\/li>\n<li>\u26d3 Tezos blockchain anchoring<\/li>\n<li>\ud83d\udcc4 Verifiable certificate<\/li>\n<li>\ud83c\udfb5 Songs, demos, lyrics, beats, stems and project files<\/li>\n<\/ul>\n\n<p>\n<a href=\"https:\/\/app.tunelockr.com\/\" rel=\"nofollow sponsored\" class=\"cta-button\">\nProtect My Song Before Sending It \u2192\n<\/a>\n<\/p>\n\n<p>\n<a href=\"https:\/\/tunelockr.com\/en\/tunnel-locker-pricing\/\">\nSee TuneLockr pricing\n<\/a>\n<\/p>\n\n<\/aside>\n\n\n<p>\nIf you want the full process, see\n<a href=\"https:\/\/tunelockr.com\/en\/2026\/04\/10\/deposer-une-chanson\/\">\nhow to register a song before sharing it\n<\/a>.\n<\/p>\n\n<p>\nIf the track is primarily a beat or instrumental, use the dedicated\n<a href=\"https:\/\/tunelockr.com\/how-to-protect-a-beat\/\">\nguide to protecting a beat before sending it to an artist\n<\/a>.\n<\/p>\n\n<\/section>\n\n\n<section id=\"find-artists\">\n\n<h2>3. Find Artists Who Are Actually a Good Fit for Your Song<\/h2>\n\n<p>\nIf you want to <strong>sell a song to a singer or recording artist<\/strong>, relevance matters more than the size of your contact list.\n<\/p>\n\n<p>\nDo not pitch a song simply because you like the artist.\nPitch it because there is a credible creative fit.\n<\/p>\n\n<h3>Research these factors:<\/h3>\n\n<ul>\n<li>the artist's current sound;<\/li>\n<li>their vocal range;<\/li>\n<li>their lyrical themes;<\/li>\n<li>their recent releases;<\/li>\n<li>whether they record outside songs;<\/li>\n<li>their producers and collaborators;<\/li>\n<li>their label or management situation;<\/li>\n<li>whether they appear to be working on new material.<\/li>\n<\/ul>\n\n<p>\nAn outstanding country song is still a poor pitch for an electronic artist who never releases outside material.\n<\/p>\n\n<p>\nYour goal is not:\n<strong>\u201cWho is famous?\u201d<\/strong>\n<\/p>\n\n<p>\nYour goal is:\n<strong>\u201cWho could realistically record this particular song?\u201d<\/strong>\n<\/p>\n\n\n<h3>Do not ignore developing artists<\/h3>\n\n<p>\nMany songwriters immediately aim for global stars.\nThat is understandable, but major artists are surrounded by managers, publishers, producers, label teams and professional songwriters.\n<\/p>\n\n<p>\nDeveloping artists can offer a much more realistic entry point.\n<\/p>\n\n<p>\nLook for artists who are:\n<\/p>\n\n<ul>\n<li>building momentum;<\/li>\n<li>releasing consistently;<\/li>\n<li>working with professional producers;<\/li>\n<li>growing an audience;<\/li>\n<li>open to outside collaborations;<\/li>\n<li>still accessible through direct professional contacts.<\/li>\n<\/ul>\n\n<\/section>\n\n\n<section id=\"who-to-contact\">\n\n<h2>4. Find the Right Person to Send Your Song To<\/h2>\n\n<p>\nKnowing <strong>how to submit a song to an artist<\/strong> often means knowing who around that artist actually receives songs.\n<\/p>\n\n<p>\nDepending on the artist's level, that may be:\n<\/p>\n\n<ul>\n<li>the artist directly;<\/li>\n<li>their producer;<\/li>\n<li>their manager;<\/li>\n<li>a music publisher;<\/li>\n<li>a songwriter representative;<\/li>\n<li>an A&amp;R representative;<\/li>\n<li>a label contact;<\/li>\n<li>a trusted co-writer.<\/li>\n<\/ul>\n\n\n<h3>Independent artists<\/h3>\n\n<p>\nWith independent or emerging artists, a professional direct approach may work.\nUse the contact method they make available for business inquiries.\n<\/p>\n\n\n<h3>Established artists<\/h3>\n\n<p>\nFor an established artist, the artist's personal inbox is rarely the most effective route.\nThe people surrounding the project often filter material.\n<\/p>\n\n\n<h3>Music publishers<\/h3>\n\n<p>\nPublishers can play an important role in getting songs in front of recording artists.\nASCAP notes that publishers may pitch the works they represent to recording artists and other music users.\n<\/p>\n\n<p>\n<a href=\"https:\/\/www.ascap.com\/help\/my-ascap-membership\/join-as-publisher\" target=\"_blank\" rel=\"noopener noreferrer\">\nRead ASCAP's explanation of the role of a music publisher \u2192\n<\/a>\n<\/p>\n\n<p>\nBMI also recommends researching whether your material is appropriate for the company, label or artist before pitching.\n<\/p>\n\n<p>\n<a href=\"https:\/\/www.bmi.com\/news\/entry\/pitch_perfect_how_to_shop_your_songs\" target=\"_blank\" rel=\"noopener noreferrer\">\nRead BMI's guidance on shopping and pitching songs \u2192\n<\/a>\n<\/p>\n\n<\/section>\n\n\n<section id=\"pitch\">\n\n<h2>5. How to Pitch a Song to an Artist<\/h2>\n\n<p>\nA successful song pitch does not need to be long.\n<\/p>\n\n<p>\nThe recipient should understand four things almost immediately:\n<\/p>\n\n<ol>\n<li><strong>Who are you?<\/strong><\/li>\n<li><strong>Why are you contacting them?<\/strong><\/li>\n<li><strong>Why does this song fit this artist?<\/strong><\/li>\n<li><strong>Where can they hear it?<\/strong><\/li>\n<\/ol>\n\n<p>\nAvoid turning the email into your life story.\n<\/p>\n\n<h3>A strong pitch is:<\/h3>\n\n<ul>\n<li>short;<\/li>\n<li>personal;<\/li>\n<li>specific;<\/li>\n<li>easy to listen to;<\/li>\n<li>professional;<\/li>\n<li>free from exaggerated claims.<\/li>\n<\/ul>\n\n\n<h3>Use a private listening link<\/h3>\n\n<p>\nWhenever possible, make the song easy to stream without forcing the recipient to download a large attachment.\n<\/p>\n\n<p>\nTuneLockr also has a complete guide on\n<a href=\"https:\/\/tunelockr.com\/en\/2026\/04\/28\/send-music\/\">\nhow to send music professionally\n<\/a>.\n<\/p>\n\n<\/section>\n\n\n<section id=\"song-pitch-example\">\n\n<h2>Song Pitch Example: What to Send to an Artist or Manager<\/h2>\n\n<p>\nHere is a simple structure you can adapt:\n<\/p>\n\n<blockquote class=\"tla-pitch\">\n\n<p>\n<strong>Subject: Song pitch for [Artist Name] \u2014 \u201c[Song Title]\u201d<\/strong>\n<\/p>\n\n<p>\nHi [Name],\n<\/p>\n\n<p>\nI'm a songwriter \/ producer based in [location].\nI wrote a song called \u201c[Song Title]\u201d that I think could fit [Artist Name], particularly the direction of [specific recent song, project or sound].\n<\/p>\n\n<p>\n<strong>[Song Title]<\/strong><br>\n[Genre \/ style]<br>\n[Private listening link]\n<\/p>\n\n<p>\nThe song is currently available for placement discussions.\nI can send lyrics, writer information and additional files if useful.\n<\/p>\n\n<p>\nThanks for listening,<br>\n[Your Name]<br>\n[Contact]\n<\/p>\n\n<\/blockquote>\n\n<p>\nNotice what is missing:\n<\/p>\n\n<ul>\n<li>\u201cThis will definitely be a number-one hit.\u201d<\/li>\n<li>\u201cI guarantee millions of streams.\u201d<\/li>\n<li>your complete biography;<\/li>\n<li>ten unrelated songs;<\/li>\n<li>a 300 MB attachment.<\/li>\n<\/ul>\n\n<p>\nMake it easy to say:\n<strong>\u201cSend me more information.\u201d<\/strong>\n<\/p>\n\n<\/section>\n\n\n<section id=\"price\">\n\n<h2>6. How Much Can You Sell a Song to an Artist For?<\/h2>\n\n<p>\nThere is <strong>no universal price for selling a song to an artist<\/strong>.\n<\/p>\n\n<p>\nA deal can vary enormously depending on:\n<\/p>\n\n<ul>\n<li>the songwriter's track record;<\/li>\n<li>the artist;<\/li>\n<li>the commercial potential of the project;<\/li>\n<li>whether the deal involves the composition, a master or both;<\/li>\n<li>whether rights are exclusive;<\/li>\n<li>whether rights are assigned or merely licensed;<\/li>\n<li>the territory;<\/li>\n<li>the duration;<\/li>\n<li>publishing participation;<\/li>\n<li>royalty provisions;<\/li>\n<li>credits;<\/li>\n<li>advances or upfront payments.<\/li>\n<\/ul>\n\n<p>\nThat is why asking <strong>\u201cHow much is a song worth?\u201d<\/strong> without defining the rights is usually the wrong starting point.\n<\/p>\n\n<p>\nA better question is:\n<\/p>\n\n<p>\n<strong>\u201cWhat is the artist asking to own or use, for how long, where, and in exchange for what?\u201d<\/strong>\n<\/p>\n\n<table>\n\n<thead>\n<tr>\n<th>Possible deal element<\/th>\n<th>Question to ask<\/th>\n<\/tr>\n<\/thead>\n\n<tbody>\n\n<tr>\n<td>Upfront payment<\/td>\n<td>Is there a fee or advance?<\/td>\n<\/tr>\n\n<tr>\n<td>Publishing<\/td>\n<td>Who controls or owns the publishing share?<\/td>\n<\/tr>\n\n<tr>\n<td>Songwriting credit<\/td>\n<td>How will writers be credited?<\/td>\n<\/tr>\n\n<tr>\n<td>Royalties<\/td>\n<td>Which royalties remain payable to the songwriter?<\/td>\n<\/tr>\n\n<tr>\n<td>Exclusivity<\/td>\n<td>Can the song still be pitched elsewhere?<\/td>\n<\/tr>\n\n<tr>\n<td>Territory<\/td>\n<td>Is the agreement worldwide or limited?<\/td>\n<\/tr>\n\n<tr>\n<td>Term<\/td>\n<td>How long does the agreement last?<\/td>\n<\/tr>\n\n<tr>\n<td>Master<\/td>\n<td>Are they using your demo or recording a new master?<\/td>\n<\/tr>\n\n<tr>\n<td>Rewrites<\/td>\n<td>Can the artist change lyrics, melody or structure?<\/td>\n<\/tr>\n\n<\/tbody>\n<\/table>\n\n<p>\nFor significant agreements or transfers of rights, consider having the contract reviewed by a qualified music or intellectual-property lawyer in the relevant jurisdiction.\n<\/p>\n\n<\/section>\n\n\n<section id=\"rights\">\n\n<h2>7. What Rights Are You Selling When an Artist Buys Your Song?<\/h2>\n\n<p>\nThis is one of the most important parts of learning <strong>how to sell your song to an artist<\/strong>.\n<\/p>\n\n<p>\nDo not assume that \u201cbuying the song\u201d has one fixed legal meaning.\n<\/p>\n\n<p>\nThe agreement may involve:\n<\/p>\n\n<ul>\n<li>permission to record the composition;<\/li>\n<li>an exclusive or non-exclusive license;<\/li>\n<li>publishing administration;<\/li>\n<li>a publishing agreement;<\/li>\n<li>a transfer or assignment of some rights;<\/li>\n<li>use of an existing demo or master;<\/li>\n<li>permission to adapt or rewrite the song.<\/li>\n<\/ul>\n\n<p>\nThe World Intellectual Property Organization describes music rights as the framework that allows creators to control uses of musical works, recordings and performances and receive compensation from their exploitation.\n<\/p>\n\n<p>\n<a href=\"https:\/\/www.wipo.int\/en\/web\/music\" target=\"_blank\" rel=\"noopener noreferrer\">\nExplore WIPO's official music and intellectual-property resources \u2192\n<\/a>\n<\/p>\n\n\n<h3>Do not confuse the song with the recording<\/h3>\n\n<p>\nSuppose you write and record a demo called <em>Stay Until Morning<\/em>.\n<\/p>\n\n<p>\nAn artist hears it and decides to record a completely new version.\n<\/p>\n\n<p>\nThere may now be:\n<\/p>\n\n<ul>\n<li>your underlying composition;<\/li>\n<li>your original demo recording;<\/li>\n<li>the artist's new master recording.<\/li>\n<\/ul>\n\n<p>\nThese should not automatically be treated as the same asset.\n<\/p>\n\n<p>\nRead:\n<a href=\"https:\/\/tunelockr.com\/en\/2025\/07\/11\/music-copyright\/\">\nMusic Copyright: Complete Guide\n<\/a>.\n<\/p>\n\n<\/section>\n\n\n<section id=\"publishers\">\n\n<h2>8. Do You Need a Music Publisher to Sell a Song to an Artist?<\/h2>\n\n<p>\nNo.\nA songwriter can build relationships and pitch songs without having a publishing deal.\n<\/p>\n\n<p>\nBut a strong publisher can provide something that is difficult to create overnight:\n<strong>industry access.<\/strong>\n<\/p>\n\n<p>\nPublishers may help with:\n<\/p>\n\n<ul>\n<li>pitching songs;<\/li>\n<li>artist and label relationships;<\/li>\n<li>A&amp;R contacts;<\/li>\n<li>co-writing opportunities;<\/li>\n<li>rights administration;<\/li>\n<li>licensing;<\/li>\n<li>royalty administration, depending on the deal.<\/li>\n<\/ul>\n\n<p>\nWIPO explains that licensing can allow a songwriter to authorize a publisher or other party to exploit a work for specified purposes while the exact ownership arrangement depends on the agreement.\n<\/p>\n\n<p>\n<a href=\"https:\/\/www.wipo.int\/en\/web\/ipday\/2015\/creating_value_from_music\" target=\"_blank\" rel=\"noopener noreferrer\">\nRead WIPO: Creating Value From Music \u2192\n<\/a>\n<\/p>\n\n\n<h3>The trade-off<\/h3>\n\n<p>\nAccess and administration usually come with contractual obligations and a share of income or rights.\n<\/p>\n\n<p>\nDo not sign a publishing agreement simply because someone promises to \u201cshop your songs.\u201d\nUnderstand:\n<\/p>\n\n<ul>\n<li>the term;<\/li>\n<li>territory;<\/li>\n<li>rights granted;<\/li>\n<li>income split;<\/li>\n<li>reversion clauses;<\/li>\n<li>minimum obligations;<\/li>\n<li>which songs are included.<\/li>\n<\/ul>\n\n<\/section>\n\n\n<section id=\"multiple-artists\">\n\n<h2>Can You Pitch the Same Song to Multiple Artists?<\/h2>\n\n<p>\nOften, yes, if you have not entered into an agreement that prevents it.\n<\/p>\n\n<p>\nBut the professional approach depends on the context.\n<\/p>\n\n<p>\nYou should know whether:\n<\/p>\n\n<ul>\n<li>someone has requested an exclusive hold;<\/li>\n<li>you have granted exclusivity;<\/li>\n<li>a publisher controls the song;<\/li>\n<li>a co-writer has made conflicting commitments;<\/li>\n<li>the artist believes the song is being held specifically for them.<\/li>\n<\/ul>\n\n<p>\nNever promise exclusivity to several parties at once.\n<\/p>\n\n<p>\nKeep a simple pitching log containing:\n<\/p>\n\n<ul>\n<li>song;<\/li>\n<li>version;<\/li>\n<li>artist;<\/li>\n<li>recipient;<\/li>\n<li>date sent;<\/li>\n<li>status;<\/li>\n<li>follow-up date;<\/li>\n<li>any hold or exclusivity request.<\/li>\n<\/ul>\n\n<p>\nBefore the first send, document the exact version.\n<\/p>\n\n<p>\n<a href=\"https:\/\/app.tunelockr.com\/\" rel=\"nofollow sponsored\">\nCreate my song record on TuneLockr \u2192\n<\/a>\n<\/p>\n\n<\/section>\n\n\n<section id=\"after-interest\">\n\n<h2>What to Do When an Artist Says \u201cI Want the Song\u201d<\/h2>\n\n<p>\nInterest is exciting.\nIt is also the moment to become more precise.\n<\/p>\n\n<p>\nBefore delivering masters, stems or granting rights, clarify:\n<\/p>\n\n<ol>\n<li>Who is the contracting party?<\/li>\n<li>What exactly do they want to use?<\/li>\n<li>Are they recording a new master?<\/li>\n<li>Is the agreement exclusive?<\/li>\n<li>Is there an upfront payment?<\/li>\n<li>What publishing rights are affected?<\/li>\n<li>What royalties remain?<\/li>\n<li>How will you be credited?<\/li>\n<li>Can they rewrite the song?<\/li>\n<li>What is the territory?<\/li>\n<li>What is the term?<\/li>\n<li>What happens if the artist never releases the song?<\/li>\n<\/ol>\n\n\n<h3>Keep the pre-deal version documented<\/h3>\n\n<p>\nThis is another reason to protect the song before pitching.\nYou retain a clean record of the version that existed before negotiations, rewrites and production changes began.\n<\/p>\n\n<aside class=\"cta-box\">\n\n<h3>Your Song Is About to Leave Your Hands?<\/h3>\n\n<p>\nCreate the timestamped record first.\n<\/p>\n\n<p>\n<a href=\"https:\/\/app.tunelockr.com\/\" rel=\"nofollow sponsored\" class=\"cta-button\">\n\ud83d\udee1\ufe0f Protect the Version I'm Sending\n<\/a>\n<\/p>\n\n<p>\n<a href=\"https:\/\/tunelockr.com\/en\/faq-tunnel-locker\/\">\nSee how TuneLockr works \u2192\n<\/a>\n<\/p>\n\n<\/aside>\n\n<\/section>\n\n\n<section>\n\n<h2>Can You Sell Song Lyrics to an Artist?<\/h2>\n\n<p>\nYes, lyrics can form part of a songwriting collaboration or commercial agreement.\nBut selling lyrics is not necessarily the same transaction as selling a finished song.\n<\/p>\n\n<p>\nYou might:\n<\/p>\n\n<ul>\n<li>write lyrics for an existing composition;<\/li>\n<li>offer lyrics to a composer;<\/li>\n<li>co-write with an artist;<\/li>\n<li>write toplines;<\/li>\n<li>license or assign agreed rights under a contract.<\/li>\n<\/ul>\n\n<p>\nBefore sending unreleased lyrics to unfamiliar collaborators, keep your drafts and document the version being shared.\n<\/p>\n\n<p>\nSee TuneLockr's\n<a href=\"https:\/\/tunelockr.com\/how-to-protect-song-lyrics\/\">\nguide to protecting song lyrics\n<\/a>.\n<\/p>\n\n<\/section>\n\n\n<section>\n\n<h2>How Do Songwriters Get Paid When an Artist Records Their Song?<\/h2>\n\n<p>\nSongwriter income can come from different sources depending on the agreement, country and exploitation of the song.\n<\/p>\n\n<p>\nPossible income can include:\n<\/p>\n\n<ul>\n<li>an upfront fee or advance;<\/li>\n<li>performance royalties;<\/li>\n<li>mechanical royalties;<\/li>\n<li>publishing income;<\/li>\n<li>sync income where relevant;<\/li>\n<li>other contractual payments.<\/li>\n<\/ul>\n\n<p>\nAn upfront payment should therefore not automatically be confused with the entire economic value of the composition.\n<\/p>\n\n<p>\nSongwriters should also understand the role of performing-rights and collective-management organizations in their country.\n<\/p>\n\n<p>\nTuneLockr explains the distinction between creation evidence and rights collection in its\n<a href=\"https:\/\/tunelockr.com\/en\/2025\/07\/13\/proteger-sa-musique-sacem-tunelockr\/\">\nTuneLockr vs SACEM guide\n<\/a>.\n<\/p>\n\n<\/section>\n\n\n<section id=\"mistakes\">\n\n<h2>10 Common Mistakes When Trying to Sell a Song to an Artist<\/h2>\n\n<div class=\"tla-mistakes\">\n\n<div class=\"tla-mistake\">\n<span>01<\/span>\n<div>\n<h3>Pitching before the song is ready<\/h3>\n<p>\nA promising song with a confusing demo can lose attention immediately.\n<\/p>\n<\/div>\n<\/div>\n\n<div class=\"tla-mistake\">\n<span>02<\/span>\n<div>\n<h3>Sending the same generic message to hundreds of artists<\/h3>\n<p>\nGood pitching is targeted.\nResearch the artist before contacting them.\n<\/p>\n<\/div>\n<\/div>\n\n<div class=\"tla-mistake\">\n<span>03<\/span>\n<div>\n<h3>Sending songs that do not fit the artist<\/h3>\n<p>\nYour favorite artist is not automatically the right artist for your song.\n<\/p>\n<\/div>\n<\/div>\n\n<div class=\"tla-mistake\">\n<span>04<\/span>\n<div>\n<h3>Sending too many songs at once<\/h3>\n<p>\nLead with the strongest and most relevant material.\n<\/p>\n<\/div>\n<\/div>\n\n<div class=\"tla-mistake\">\n<span>05<\/span>\n<div>\n<h3>Sharing the only copy of your work without documenting it<\/h3>\n<p>\nKeep your project files, exports, drafts and a dated record of the version you pitch.\n<\/p>\n<\/div>\n<\/div>\n\n<div class=\"tla-mistake\">\n<span>06<\/span>\n<div>\n<h3>Confusing the composition and the master recording<\/h3>\n<p>\nKnow what the other party actually wants to use or acquire.\n<\/p>\n<\/div>\n<\/div>\n\n<div class=\"tla-mistake\">\n<span>07<\/span>\n<div>\n<h3>Agreeing to \u201cexclusive\u201d without defining it<\/h3>\n<p>\nExclusivity should have clear scope, duration and conditions.\n<\/p>\n<\/div>\n<\/div>\n\n<div class=\"tla-mistake\">\n<span>08<\/span>\n<div>\n<h3>Ignoring co-writers<\/h3>\n<p>\nMake sure contributors and songwriting splits are discussed before a deal becomes serious.\n<\/p>\n<\/div>\n<\/div>\n\n<div class=\"tla-mistake\">\n<span>09<\/span>\n<div>\n<h3>Sending large attachments without permission<\/h3>\n<p>\nA private listening link is often easier.\nRead TuneLockr's guide to\n<a href=\"https:\/\/tunelockr.com\/en\/2026\/04\/28\/send-music\/\">\nsending music professionally\n<\/a>.\n<\/p>\n<\/div>\n<\/div>\n\n<div class=\"tla-mistake\">\n<span>10<\/span>\n<div>\n<h3>Waiting until there is a dispute to think about evidence<\/h3>\n<p>\nProtection is easier to organize before the song circulates.\n<\/p>\n<p>\nIf unauthorized use becomes a concern, see:\n<a href=\"https:\/\/tunelockr.com\/music-plagiarism\/\">\nMusic Plagiarism: How to Detect, Prove and Respond\n<\/a>.\n<\/p>\n<\/div>\n<\/div>\n\n<\/div>\n\n<\/section>\n\n\n<section id=\"tunelockr\">\n\n<h2>Why Protect a Song With TuneLockr Before Pitching It?<\/h2>\n\n<p>\nTuneLockr is built around a simple principle:\n<strong>your proof should exist before your music starts circulating.<\/strong>\n<\/p>\n\n<p>\nWhen you upload a work, TuneLockr creates a technical record associated with the submitted version so you can preserve evidence of what existed at that point in time.\n<\/p>\n\n\n<div class=\"features-grid\">\n\n<div class=\"feature\">\n\n<h3>\ud83d\udd12 Private Submission<\/h3>\n\n<p>\nYour unreleased work is not turned into a public music listing simply because you create a TuneLockr record.\n<\/p>\n\n<\/div>\n\n\n<div class=\"feature\">\n\n<h3>\ud83e\uddec Cryptographic Fingerprint<\/h3>\n\n<p>\nThe file is associated with a unique cryptographic fingerprint that can be used to identify the submitted version.\n<\/p>\n\n<\/div>\n\n\n<div class=\"feature\">\n\n<h3>\u23f1 Timestamped Record<\/h3>\n\n<p>\nCreate a clear chronological reference before your demo, lyrics, beat or project file is sent externally.\n<\/p>\n\n<\/div>\n\n\n<div class=\"feature\">\n\n<h3>\u26d3 Tezos Anchoring<\/h3>\n\n<p>\nTuneLockr uses blockchain infrastructure to strengthen the integrity and verifiability of the timestamped record.\n<\/p>\n\n<\/div>\n\n\n<div class=\"feature\">\n\n<h3>\ud83d\udcc4 Verifiable Certificate<\/h3>\n\n<p>\nKeep a certificate associated with the submitted creation in your TuneLockr space.\n<\/p>\n\n<\/div>\n\n\n<div class=\"feature\">\n\n<h3>\ud83c\udfb5 Built for Music Workflows<\/h3>\n\n<p>\nSongs, demos, beats, lyrics, stems and other important creation files can be documented before collaboration or pitching.\n<\/p>\n\n<\/div>\n\n<\/div>\n\n\n<p>\nTuneLockr does not replace your contracts, performing-rights organization, publisher or legal adviser.\nIt serves a different purpose: documenting the version of the work before it circulates.\n<\/p>\n\n<p>\nLearn more:\n<a href=\"https:\/\/tunelockr.com\/en\/about\/\">\nAbout TuneLockr\n<\/a>\nor read the\n<a href=\"https:\/\/tunelockr.com\/en\/faq-tunnel-locker\/\">\nTuneLockr FAQ\n<\/a>.\n<\/p>\n\n\n<aside class=\"cta-box\">\n\n<h2>Ready to Pitch Your Song?<\/h2>\n\n<p>\nDo the protection step first.\n<\/p>\n\n<p>\nUpload the exact demo, lyrics or song version you plan to send and keep a timestamped, verifiable record in your TuneLockr account.\n<\/p>\n\n<p>\n<a href=\"https:\/\/app.tunelockr.com\/\" rel=\"nofollow sponsored\" class=\"cta-button\">\nProtect My Song Before Pitching \u2192\n<\/a>\n<\/p>\n\n<p>\nFirst deposit available \u00b7 No need to publish your song publicly\n<\/p>\n\n<p>\n<a href=\"https:\/\/tunelockr.com\/en\/tunnel-locker-pricing\/\">\nCompare TuneLockr plans \u2192\n<\/a>\n<\/p>\n\n<\/aside>\n\n<\/section>\n\n\n<section>\n\n<h2>Sell a Song to an Artist: Complete Checklist<\/h2>\n\n<div class=\"tla-checklist-grid\">\n\n<div class=\"tla-checklist\">\n<h3>Before pitching<\/h3>\n<ul>\n<li>Finish the strongest demo version.<\/li>\n<li>Check lyrics and song structure.<\/li>\n<li>Identify every writer and contributor.<\/li>\n<li>Clarify songwriting splits.<\/li>\n<li>Keep source files and previous versions.<\/li>\n<li>Document the exact version you will pitch.<\/li>\n<li>Prepare a lyric sheet.<\/li>\n<li>Create a private listening link.<\/li>\n<\/ul>\n<\/div>\n\n<div class=\"tla-checklist\">\n<h3>Before contacting the artist<\/h3>\n<ul>\n<li>Research the artist's recent music.<\/li>\n<li>Confirm the song actually fits.<\/li>\n<li>Identify the correct business contact.<\/li>\n<li>Personalize your message.<\/li>\n<li>Pitch one or a few highly relevant songs.<\/li>\n<\/ul>\n<\/div>\n\n<div class=\"tla-checklist\">\n<h3>When someone becomes interested<\/h3>\n<ul>\n<li>Clarify which rights they want.<\/li>\n<li>Determine whether a new master will be recorded.<\/li>\n<li>Discuss publishing.<\/li>\n<li>Discuss credits.<\/li>\n<li>Discuss any upfront payment.<\/li>\n<li>Discuss royalties.<\/li>\n<li>Define exclusivity.<\/li>\n<li>Define territory and term.<\/li>\n<li>Put the agreement in writing.<\/li>\n<li>Get professional legal advice for material deals where appropriate.<\/li>\n<\/ul>\n<\/div>\n\n<\/div>\n\n<\/section>\n\n\n<section id=\"faq\">\n\n<h2>FAQ \u2014 How to Sell a Song to an Artist<\/h2>\n\n<div class=\"tla-faq\">\n\n<div class=\"tla-faq-item\">\n<h3>Can I sell a song I wrote to an artist?<\/h3>\n<p>\nYes. Songwriters can pitch original songs to recording artists, publishers, producers and other music-industry professionals.\nThe exact deal may involve a recording permission, publishing arrangement, license, assignment or another contractual structure.\nDo not assume that every \u201csong sale\u201d transfers every right.\n<\/p>\n<\/div>\n\n<div class=\"tla-faq-item\">\n<h3>How do I sell a song to an artist?<\/h3>\n<p>\nTo sell a song to an artist, prepare a strong demo, clarify the writers and ownership information, document the version before sharing it, research artists who genuinely fit the song, identify the right contact, send a concise professional pitch and negotiate the specific rights and payment if someone becomes interested.\n<\/p>\n<\/div>\n\n<div class=\"tla-faq-item\">\n<h3>How do I submit a song to a famous artist?<\/h3>\n<p>\nFor major artists, direct submissions are often difficult.\nResearch their manager, producer, publisher, label or A&amp;R network and check whether unsolicited material is accepted.\nProfessional relationships, co-writers and publishers can provide more realistic routes than repeatedly messaging an artist's public social-media account.\n<\/p>\n<\/div>\n\n<div class=\"tla-faq-item\">\n<h3>How much can I sell a song to an artist for?<\/h3>\n<p>\nThere is no standard price.\nThe value depends on the artist, songwriter, project, rights requested, exclusivity, territory, publishing participation, royalties, upfront payment and other contract terms.\nAlways define exactly what is being transferred or licensed before evaluating the price.\n<\/p>\n<\/div>\n\n<div class=\"tla-faq-item\">\n<h3>Do artists actually buy songs from songwriters?<\/h3>\n<p>\nArtists regularly record songs written or co-written by other songwriters.\nHowever, the business arrangement is not always a simple one-time purchase.\nSongwriters may retain rights or royalty participation depending on the agreement.\n<\/p>\n<\/div>\n\n<div class=\"tla-faq-item\">\n<h3>Should I copyright my song before sending it to an artist?<\/h3>\n<p>\nCopyright rules vary by jurisdiction, and in many countries copyright arises automatically when an original work is created.\nA separate practical issue is evidence: keeping source material and creating a dated record before sharing can help document which version existed before the pitch.\nSee\n<a href=\"https:\/\/tunelockr.com\/en\/how-to-protect-your-music\/\">\nhow to protect your music before sharing\n<\/a>.\n<\/p>\n<\/div>\n\n<div class=\"tla-faq-item\">\n<h3>Should I protect a demo before sending it?<\/h3>\n<p>\nIt is sensible to preserve evidence of the exact demo before it begins circulating.\nKeep your DAW project, exports and communications, and consider creating a timestamped record of the version you are about to send.\n<\/p>\n<\/div>\n\n<div class=\"tla-faq-item\">\n<h3>Can I sell song lyrics without music?<\/h3>\n<p>\nSong lyrics can be pitched, licensed, assigned or used as the basis of a songwriting collaboration depending on the agreement.\nKeep drafts and writer information before sharing unreleased lyrics.\nRead\n<a href=\"https:\/\/tunelockr.com\/how-to-protect-song-lyrics\/\">\nhow to protect song lyrics\n<\/a>.\n<\/p>\n<\/div>\n\n<div class=\"tla-faq-item\">\n<h3>Do I need a publisher to sell songs to artists?<\/h3>\n<p>\nNo.\nYou can pitch independently.\nA publisher can nevertheless provide relationships, administration, co-writing opportunities and professional pitching infrastructure.\nRead any publishing agreement carefully before signing.\n<\/p>\n<\/div>\n\n<div class=\"tla-faq-item\">\n<h3>Can I pitch the same song to several artists?<\/h3>\n<p>\nPotentially, yes, unless an existing contract, exclusive hold, publishing agreement or other commitment prevents it.\nNever promise conflicting exclusivity to multiple parties.\n<\/p>\n<\/div>\n\n<div class=\"tla-faq-item\">\n<h3>What should I send in a song pitch?<\/h3>\n<p>\nUsually a short personalized message, the song title, a private listening link, writer information and a concise reason the song fits the artist.\nKeep lyrics and additional files ready if requested.\n<\/p>\n<\/div>\n\n<div class=\"tla-faq-item\">\n<h3>Should I send an MP3 attachment to an artist?<\/h3>\n<p>\nFollow the recipient's preferred submission method.\nFor an initial unsolicited pitch, an easy private listening link may be more convenient than a large attachment.\nSee TuneLockr's\n<a href=\"https:\/\/tunelockr.com\/en\/2026\/04\/28\/send-music\/\">\nguide to sending music\n<\/a>.\n<\/p>\n<\/div>\n\n<div class=\"tla-faq-item\">\n<h3>What is the difference between selling a song and selling the master?<\/h3>\n<p>\nThe song or musical composition covers elements such as the music and lyrics.\nThe master is a specific sound recording.\nAn artist can record your composition and create a new master without necessarily purchasing your existing demo recording.\n<\/p>\n<\/div>\n\n<div class=\"tla-faq-item\">\n<h3>What if an artist uses my song without permission?<\/h3>\n<p>\nPreserve all relevant evidence, including original sessions, earlier exports, communications, publication dates, agreements and timestamped records.\nThe appropriate legal response depends on the facts and jurisdiction.\nFor further information, read TuneLockr's\n<a href=\"https:\/\/tunelockr.com\/music-plagiarism\/\">\nmusic plagiarism guide\n<\/a> and consider obtaining advice from a qualified professional where necessary.\n<\/p>\n<\/div>\n\n<div class=\"tla-faq-item\">\n<h3>Does TuneLockr sell my song to artists?<\/h3>\n<p>\nNo.\nTuneLockr is not an artist-placement agency.\nIts role in this workflow is to help creators document their work before pitching, sharing or collaborating.\nYou remain responsible for finding artists, pitching the song and negotiating the commercial agreement.\n<\/p>\n<\/div>\n\n<\/div>\n\n<\/section>\n\n\n<section>\n\n<h2>More Resources for Songwriters<\/h2>\n\n<ul class=\"tla-resources\">\n<li>\n<a href=\"https:\/\/tunelockr.com\/en\/how-to-protect-your-music\/\">\nHow to Protect Your Music Before Sharing It\n<\/a>\n<\/li>\n\n<li>\n<a href=\"https:\/\/tunelockr.com\/en\/2026\/04\/10\/deposer-une-chanson\/\">\nHow to Register a Song\n<\/a>\n<\/li>\n\n<li>\n<a href=\"https:\/\/tunelockr.com\/en\/2026\/04\/28\/send-music\/\">\nHow to Send Music Professionally\n<\/a>\n<\/li>\n\n<li>\n<a href=\"https:\/\/tunelockr.com\/how-to-protect-a-beat\/\">\nHow to Protect a Beat Before Sending It\n<\/a>\n<\/li>\n\n<li>\n<a href=\"https:\/\/tunelockr.com\/how-to-protect-song-lyrics\/\">\nHow to Protect Song Lyrics\n<\/a>\n<\/li>\n\n<li>\n<a href=\"https:\/\/tunelockr.com\/en\/2025\/07\/11\/music-copyright\/\">\nComplete Guide to Music Copyright\n<\/a>\n<\/li>\n\n<li>\n<a href=\"https:\/\/tunelockr.com\/music-plagiarism\/\">\nMusic Plagiarism: Detect, Prove &amp; Respond\n<\/a>\n<\/li>\n\n<li>\n<a href=\"https:\/\/tunelockr.com\/en\/2025\/07\/10\/proteger-sa-musique-sur-youtube\/\">\nHow to Protect Music on YouTube\n<\/a>\n<\/li>\n\n<li>\n<a href=\"https:\/\/tunelockr.com\/en\/2025\/07\/13\/proteger-sa-musique-sacem-tunelockr\/\">\nTuneLockr vs SACEM\n<\/a>\n<\/li>\n\n<li>\n<a href=\"https:\/\/tunelockr.com\/en\/tunnel-locker-pricing\/\">\nTuneLockr Pricing\n<\/a>\n<\/li>\n\n<li>\n<a href=\"https:\/\/tunelockr.com\/en\/faq-tunnel-locker\/\">\nTuneLockr FAQ\n<\/a>\n<\/li>\n\n<li>\n<a href=\"https:\/\/tunelockr.com\/en\/about\/\">\nAbout TuneLockr\n<\/a>\n<\/li>\n<\/ul>\n\n<\/section>\n\n<\/main>\n\n\n<!-- ============================================================\n     STICKY SIDEBAR \u2014 condensed TOC + persistent CTA\n     ============================================================ -->\n<aside class=\"tla-side\">\n\n  <nav class=\"tla-toc\" aria-label=\"Table of contents\">\n    <h2>On This Page<\/h2>\n    <ol>\n    <li><a href=\"#what-does-selling-a-song-mean\">What selling a song means<\/a><\/li>\n    <li><a href=\"#8-steps\">8-step process<\/a><\/li>\n    <li><a href=\"#prepare-song\">Prepare the song<\/a><\/li>\n    <li><a href=\"#protect-before-pitching\">Protect before pitching<\/a><\/li>\n    <li><a href=\"#find-artists\">Find the right artists<\/a><\/li>\n    <li><a href=\"#who-to-contact\">Who to contact<\/a><\/li>\n    <li><a href=\"#pitch\">How to pitch<\/a><\/li>\n    <li><a href=\"#song-pitch-example\">Pitch example<\/a><\/li>\n    <li><a href=\"#price\">How much you can get paid<\/a><\/li>\n    <li><a href=\"#rights\">What rights you're selling<\/a><\/li>\n    <li><a href=\"#publishers\">Do you need a publisher?<\/a><\/li>\n    <li><a href=\"#multiple-artists\">Pitching multiple artists<\/a><\/li>\n    <li><a href=\"#after-interest\">When an artist says yes<\/a><\/li>\n    <li><a href=\"#mistakes\">Common mistakes<\/a><\/li>\n    <li><a href=\"#tunelockr\">How TuneLockr fits in<\/a><\/li>\n    <li><a href=\"#faq\">FAQ<\/a><\/li>\n    <\/ol>\n  <\/nav>\n\n  <div class=\"tla-side-cta\">\n    <p class=\"tla-side-cta-eyebrow\">\ud83d\udee1\ufe0f Before you pitch<\/p>\n    <h3>Protect your song first<\/h3>\n    <p>Create a timestamped, verifiable record of your demo before it leaves your control.<\/p>\n    <a href=\"https:\/\/app.tunelockr.com\/\" rel=\"nofollow sponsored\" class=\"cta-button tla-side-cta-btn\">\n       Protect My Song \u2192\n    <\/a>\n    <p class=\"tla-side-cta-micro\">First deposit free \u00b7 No card required<\/p>\n  <\/div>\n\n<\/aside>\n\n<\/div>\n<!-- \/.tla-shell -->\n\n\n<footer class=\"tla-footer\">\n  <div class=\"tla-footer-wrap\">\n\n  <h2>Ready to Sell Your Song to an Artist?<\/h2>\n\n  <p>\n  The hardest part may be getting the right person to press play.\n  But before your song reaches an artist, manager, producer or publisher, make sure the version you are sending is clearly documented.\n  <\/p>\n\n  <p class=\"tla-sequence\">\n  <strong>Write it. Protect it. Pitch it.<\/strong>\n  <\/p>\n\n  <p>\n  <a href=\"https:\/\/app.tunelockr.com\/\" rel=\"nofollow sponsored\" class=\"cta-button\">\n  \ud83d\udee1\ufe0f Protect My Song \u2014 Start With TuneLockr\n  <\/a>\n  <\/p>\n\n  <p class=\"tla-footer-links\">\n  <a href=\"https:\/\/tunelockr.com\/en\/tunnel-locker-pricing\/\">\n  See pricing\n  <\/a>\n  &nbsp; \u00b7 &nbsp;\n  <a href=\"https:\/\/tunelockr.com\/en\/faq-tunnel-locker\/\">\n  How it works\n  <\/a>\n  &nbsp; \u00b7 &nbsp;\n  <a href=\"https:\/\/tunelockr.com\/en\/how-to-protect-your-music\/\">\n  Music protection guide\n  <\/a>\n  <\/p>\n\n  <p>\n  <small>\n  Educational information only. Music copyright, licensing, publishing and contract rules vary by country and individual agreement. This guide does not constitute legal advice.\n  <\/small>\n  <\/p>\n\n  <\/div>\n<\/footer>\n\n<\/article>\n\n\n<style>\n\n\/* =========================================================\n   TUNELOCKR \u2014 ARTICLE \/ PILLAR PAGE (full width)\n   Same visual language as the \"Prot\u00e9ger ma musique\" page:\n   warm white\/cream background, orange accent, Inter.\n========================================================= *\/\n\n.tla-page,\n.tla-page *{\n  box-sizing:border-box;\n}\n\n.tla-page{\n  --orange:#f97316;\n  --orange2:#fb923c;\n  --orange-dark:#c2410c;\n  --orange-soft:#fff7ed;\n  --ink:#18181b;\n  --text:#3f3f46;\n  --muted:#71717a;\n  --muted2:#a1a1aa;\n  --line:rgba(24,24,27,.09);\n  --cream:#fffaf5;\n\n  background:#fff;\n  color:var(--text);\n\n  font-family:\n    -apple-system,\n    BlinkMacSystemFont,\n    \"Inter\",\n    \"Segoe UI\",\n    Arial,\n    sans-serif;\n\n  font-size:16px;\n  line-height:1.75;\n}\n\n.tla-page a{\n  color:var(--orange-dark);\n  text-decoration:underline;\n  text-decoration-color:rgba(194,65,12,.3);\n  text-underline-offset:2px;\n}\n\n.tla-page a:hover{\n  text-decoration-color:rgba(194,65,12,.7);\n}\n\n.tla-page h1,\n.tla-page h2,\n.tla-page h3{\n  color:var(--ink);\n  font-weight:860;\n  letter-spacing:-0.02em;\n  line-height:1.18;\n}\n\n.tla-page h1{\n  margin:0 0 20px;\n  font-size:clamp(2.1rem,3.6vw,3.1rem);\n  letter-spacing:-0.03em;\n}\n\n.tla-content h2{\n  margin:52px 0 16px;\n  padding-top:36px;\n  border-top:1px solid var(--line);\n  font-size:1.5rem;\n}\n\n.tla-content section:first-of-type h2{\n  border-top:none;\n  padding-top:0;\n  margin-top:0;\n}\n\n.tla-page h3{\n  margin:26px 0 10px;\n  font-size:1.06rem;\n}\n\n.tla-page p{\n  margin:0 0 16px;\n}\n\n.tla-page ul,\n.tla-page ol{\n  margin:0 0 18px;\n  padding-left:22px;\n}\n\n.tla-page li{\n  margin-bottom:6px;\n}\n\n.tla-page strong{\n  color:var(--ink);\n  font-weight:750;\n}\n\n.tla-page em{\n  color:var(--ink);\n}\n\n\/* ============ FULL-WIDTH HERO ============ *\/\n\n.tla-hero-full{\n  position:relative;\n  isolation:isolate;\n  overflow:hidden;\n  padding:64px 24px 60px;\n  background:\n    radial-gradient(circle at 82% 15%, rgba(249,115,22,.10), transparent 32%),\n    linear-gradient(180deg,#fff,#fffaf5);\n}\n\n.tla-hero-glow{\n  position:absolute;\n  z-index:0;\n  top:-220px;\n  right:-160px;\n  width:520px;\n  height:520px;\n  border-radius:999px;\n  background:rgba(249,115,22,.13);\n  filter:blur(120px);\n  pointer-events:none;\n}\n\n.tla-hero-wrap{\n  position:relative;\n  z-index:1;\n  max-width:1280px;\n  margin:0 auto;\n  display:grid;\n  grid-template-columns:minmax(0,1.05fr) minmax(360px,.95fr);\n  align-items:center;\n  gap:56px;\n}\n\n.tla-eyebrow{\n  display:inline-block;\n  margin-bottom:16px;\n  padding:6px 12px;\n  border:1px solid rgba(249,115,22,.2);\n  border-radius:999px;\n  background:var(--orange-soft);\n  color:var(--orange-dark);\n  font-size:.68rem;\n  font-weight:850;\n  letter-spacing:.06em;\n  text-transform:uppercase;\n}\n\n.tla-lead{\n  font-size:1.05rem;\n  line-height:1.8;\n  color:var(--text);\n}\n\n.tla-hero-actions{\n  margin-top:6px;\n}\n\n.tla-micro{\n  margin-top:12px;\n  color:var(--muted2);\n  font-size:.8rem;\n}\n\n.tla-hero-visual{\n  position:relative;\n}\n\n.tla-hero-img{\n  display:block;\n  width:100%;\n  height:auto;\n  border-radius:24px;\n  box-shadow:0 30px 70px rgba(249,115,22,.18);\n}\n\n\/* ============ CTA BUTTON ============ *\/\n\n.cta-button{\n  display:inline-flex;\n  align-items:center;\n  justify-content:center;\n  gap:8px;\n\n  min-height:52px;\n  padding:0 22px;\n\n  border-radius:999px;\n  text-decoration:none !important;\n\n  background:linear-gradient(135deg,#ea580c,#f97316,#fb923c);\n  color:#fff !important;\n\n  font-size:.95rem;\n  font-weight:830;\n\n  box-shadow:0 14px 28px rgba(249,115,22,.26);\n  transition:transform .18s ease, box-shadow .18s ease;\n}\n\n.cta-button:hover{\n  transform:translateY(-2px);\n  box-shadow:0 18px 36px rgba(249,115,22,.34);\n}\n\n\/* ============ SHELL \u2014 content + sidebar ============ *\/\n\n.tla-shell{\n  max-width:1280px;\n  margin:0 auto;\n  padding:48px 24px 20px;\n  display:grid;\n  grid-template-columns:minmax(0,1fr) 320px;\n  gap:60px;\n  align-items:start;\n}\n\n.tla-content{\n  min-width:0;\n}\n\n\/* ============ SIDEBAR ============ *\/\n\n.tla-side{\n  position:sticky;\n  top:24px;\n  display:flex;\n  flex-direction:column;\n  gap:18px;\n}\n\n.tla-toc{\n  padding:22px 22px;\n  border:1px solid rgba(249,115,22,.16);\n  border-radius:20px;\n  background:var(--cream);\n  max-height:calc(100vh - 220px);\n  overflow-y:auto;\n}\n\n.tla-toc h2{\n  margin:0 0 12px;\n  padding-top:0;\n  border-top:none;\n  font-size:.78rem;\n  text-transform:uppercase;\n  letter-spacing:.06em;\n  color:var(--orange-dark);\n}\n\n.tla-toc ol{\n  padding-left:0;\n  margin:0;\n  list-style:none;\n  counter-reset:toc;\n  display:grid;\n  gap:2px;\n}\n\n.tla-toc li{\n  counter-increment:toc;\n  margin:0;\n}\n\n.tla-toc a{\n  display:flex;\n  gap:8px;\n  padding:6px 4px;\n  text-decoration:none;\n  color:var(--text);\n  font-weight:600;\n  font-size:.82rem;\n  border-radius:8px;\n  transition:color .14s ease, background .14s ease;\n}\n\n.tla-toc a::before{\n  content:counter(toc);\n  flex:0 0 auto;\n  color:var(--orange-dark);\n  font-weight:850;\n  font-size:.72rem;\n  min-width:14px;\n}\n\n.tla-toc a:hover{\n  color:var(--orange-dark);\n  background:rgba(249,115,22,.08);\n}\n\n.tla-side-cta{\n  padding:22px;\n  border:1px solid rgba(249,115,22,.2);\n  border-radius:20px;\n  background:\n    radial-gradient(260px 140px at 20% 0%, rgba(249,115,22,.12), transparent 70%),\n    #fff;\n  box-shadow:0 16px 36px rgba(249,115,22,.10);\n}\n\n.tla-side-cta-eyebrow{\n  margin:0 0 6px;\n  color:var(--orange-dark);\n  font-size:.72rem;\n  font-weight:850;\n}\n\n.tla-side-cta h3{\n  margin:0 0 8px;\n  font-size:1.02rem;\n}\n\n.tla-side-cta p{\n  font-size:.82rem;\n  color:var(--muted);\n  margin:0 0 14px;\n}\n\n.tla-side-cta-btn{\n  width:100%;\n  min-height:48px;\n  font-size:.86rem;\n}\n\n.tla-side-cta-micro{\n  margin:10px 0 0;\n  text-align:center;\n  color:var(--muted2);\n  font-size:.7rem;\n}\n\n\/* ============ SEQUENCE LINE ============ *\/\n\n.tla-sequence{\n  padding:14px 18px;\n  border-left:3px solid var(--orange);\n  background:var(--orange-soft);\n  border-radius:0 12px 12px 0;\n  color:var(--ink);\n}\n\n\/* ============ TABLES ============ *\/\n\n.tla-page table{\n  width:100%;\n  margin:0 0 22px;\n  border-collapse:collapse;\n  font-size:.86rem;\n}\n\n.tla-page th{\n  padding:11px 14px;\n  border-bottom:2px solid var(--ink);\n  text-align:left;\n  color:var(--ink);\n  font-size:.72rem;\n  font-weight:850;\n  letter-spacing:.04em;\n  text-transform:uppercase;\n}\n\n.tla-page td{\n  padding:11px 14px;\n  border-bottom:1px solid var(--line);\n  color:var(--text);\n}\n\n.tla-page tbody tr:hover{\n  background:var(--cream);\n}\n\n\/* ============ PITCH EXAMPLE BLOCKQUOTE ============ *\/\n\n.tla-pitch{\n  margin:0 0 22px;\n  padding:22px 24px;\n  border:1px solid var(--line);\n  border-left:4px solid var(--orange);\n  border-radius:0 18px 18px 0;\n  background:var(--cream);\n  font-size:.92rem;\n}\n\n.tla-pitch p{\n  margin-bottom:10px;\n}\n\n.tla-pitch p:last-child{\n  margin-bottom:0;\n}\n\n\/* ============ CTA BOX (aside) ============ *\/\n\n.cta-box{\n  margin:28px 0;\n  padding:26px 24px;\n  border:1px solid rgba(249,115,22,.18);\n  border-radius:22px;\n  background:\n    radial-gradient(480px 200px at 15% 0%, rgba(249,115,22,.09), transparent 70%),\n    #fff;\n  box-shadow:0 16px 40px rgba(249,115,22,.08);\n}\n\n.cta-box h2,\n.cta-box h3{\n  margin-top:0;\n  border-top:none;\n  padding-top:0;\n}\n\n.cta-box ul{\n  margin:12px 0 16px;\n  padding-left:0;\n  list-style:none;\n  display:grid;\n  gap:7px;\n}\n\n.cta-box li{\n  font-size:.86rem;\n  color:var(--text);\n}\n\n.cta-box > p:last-child a:not(.cta-button){\n  font-size:.82rem;\n  font-weight:650;\n}\n\n\/* ============ FEATURES GRID ============ *\/\n\n.features-grid{\n  display:grid;\n  grid-template-columns:repeat(3,minmax(0,1fr));\n  gap:14px;\n  margin:22px 0 26px;\n}\n\n.feature{\n  padding:20px 20px;\n  border:1px solid var(--line);\n  border-radius:18px;\n  background:#fff;\n  box-shadow:0 8px 22px rgba(24,24,27,.03);\n}\n\n.feature h3{\n  margin:0 0 8px;\n  font-size:.95rem;\n}\n\n.feature p{\n  margin:0;\n  font-size:.83rem;\n  color:var(--muted);\n  line-height:1.6;\n}\n\n\/* ============ MISTAKES LIST ============ *\/\n\n.tla-mistakes{\n  display:grid;\n  grid-template-columns:repeat(2,minmax(0,1fr));\n  gap:2px 28px;\n  margin:20px 0 26px;\n  border-top:1px solid var(--line);\n}\n\n.tla-mistake{\n  display:grid;\n  grid-template-columns:44px 1fr;\n  gap:16px;\n  padding:18px 4px;\n  border-bottom:1px solid var(--line);\n}\n\n.tla-mistake span{\n  color:var(--orange);\n  font-size:.78rem;\n  font-weight:900;\n  letter-spacing:.03em;\n}\n\n.tla-mistake h3{\n  margin:0 0 4px;\n  font-size:.98rem;\n}\n\n.tla-mistake p{\n  margin:0;\n  font-size:.87rem;\n  color:var(--muted);\n}\n\n.tla-mistake p + p{\n  margin-top:8px;\n}\n\n\/* ============ CHECKLIST ============ *\/\n\n.tla-checklist-grid{\n  display:grid;\n  grid-template-columns:repeat(3,minmax(0,1fr));\n  gap:14px;\n  margin:22px 0 26px;\n}\n\n.tla-checklist{\n  padding:20px;\n  border:1px solid var(--line);\n  border-radius:18px;\n  background:var(--cream);\n}\n\n.tla-checklist h3{\n  margin:0 0 12px;\n  font-size:.86rem;\n  text-transform:uppercase;\n  letter-spacing:.03em;\n  color:var(--orange-dark);\n}\n\n.tla-checklist ul{\n  margin:0;\n  padding:0;\n  list-style:none;\n  display:grid;\n  gap:8px;\n}\n\n.tla-checklist li{\n  position:relative;\n  padding-left:22px;\n  margin:0;\n  font-size:.82rem;\n  color:var(--text);\n}\n\n.tla-checklist li::before{\n  content:\"\u2713\";\n  position:absolute;\n  left:0;\n  top:0;\n  color:var(--orange-dark);\n  font-weight:900;\n  font-size:.78rem;\n}\n\n\/* ============ FAQ ============ *\/\n\n.tla-faq{\n  display:grid;\n  grid-template-columns:repeat(2,minmax(0,1fr));\n  gap:2px 28px;\n  margin-top:10px;\n  border-top:1px solid var(--line);\n}\n\n.tla-faq-item{\n  padding:20px 4px;\n  border-bottom:1px solid var(--line);\n}\n\n.tla-faq-item h3{\n  margin:0 0 8px;\n  font-size:.98rem;\n}\n\n.tla-faq-item p{\n  margin:0;\n  font-size:.87rem;\n  color:var(--muted);\n}\n\n\/* ============ RESOURCES ============ *\/\n\n.tla-resources{\n  list-style:none;\n  padding:0;\n  display:grid;\n  grid-template-columns:repeat(3,minmax(0,1fr));\n  gap:9px;\n}\n\n.tla-resources li{\n  margin:0;\n}\n\n.tla-resources a{\n  display:block;\n  padding:11px 14px;\n  border:1px solid var(--line);\n  border-radius:12px;\n  font-size:.82rem;\n  font-weight:650;\n  text-decoration:none;\n  color:var(--text);\n  transition:border-color .16s ease, color .16s ease, background .16s ease;\n}\n\n.tla-resources a:hover{\n  border-color:rgba(249,115,22,.3);\n  background:var(--orange-soft);\n  color:var(--orange-dark);\n}\n\n\/* ============ FOOTER ============ *\/\n\n.tla-footer{\n  margin-top:20px;\n  padding:44px 24px 60px;\n  background:var(--cream);\n  border-top:1px solid var(--line);\n}\n\n.tla-footer-wrap{\n  max-width:720px;\n  margin:0 auto;\n  text-align:center;\n}\n\n.tla-footer h2{\n  border-top:none;\n  padding-top:0;\n  margin-top:0;\n}\n\n.tla-footer-links{\n  font-size:.85rem;\n}\n\n.tla-footer small{\n  display:block;\n  margin-top:20px;\n  color:var(--muted2);\n  font-size:.72rem;\n  line-height:1.6;\n}\n\n\/* =========================================================\n   RESPONSIVE\n========================================================= *\/\n\n@media(max-width:1080px){\n  .tla-shell{\n    grid-template-columns:1fr;\n  }\n  .tla-side{\n    position:static;\n    order:2;\n  }\n  .tla-content{\n    order:1;\n  }\n  .tla-toc{\n    max-height:none;\n  }\n  .features-grid{\n    grid-template-columns:repeat(2,minmax(0,1fr));\n  }\n}\n\n@media(max-width:900px){\n  .tla-hero-wrap{\n    grid-template-columns:1fr;\n  }\n  .tla-hero-visual{\n    order:-1;\n  }\n}\n\n@media(max-width:640px){\n  .tla-hero-full{\n    padding:44px 18px 40px;\n  }\n  .tla-shell{\n    padding:36px 18px 12px;\n  }\n  .tla-content h2{\n    margin:40px 0 14px;\n    padding-top:28px;\n  }\n  .features-grid,\n  .tla-mistakes,\n  .tla-checklist-grid,\n  .tla-faq,\n  .tla-resources{\n    grid-template-columns:1fr;\n  }\n  .tla-footer{\n    padding:36px 18px 48px;\n  }\n}\n\n<\/style>\n\n\n<!-- =====================================================\nSTRUCTURED DATA\nArticle + HowTo + FAQ + Breadcrumb\nIf Rank Math \/ Yoast already generates identical schema,\nmerge rather than creating duplicate FAQ schema.\n====================================================== -->\n\n<script type=\"application\/ld+json\">\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@graph\": [\n    {\n      \"@type\": \"Article\",\n      \"@id\": \"https:\/\/tunelockr.com\/en\/sell-a-song-to-an-artist\/#article\",\n      \"mainEntityOfPage\": {\n        \"@type\": \"WebPage\",\n        \"@id\": \"https:\/\/tunelockr.com\/en\/sell-a-song-to-an-artist\/\"\n      },\n      \"headline\": \"How to Sell a Song to an Artist: The Complete Songwriter Guide\",\n      \"description\": \"Learn how to sell a song to an artist, prepare and protect your demo, find the right artist, pitch professionally, understand song rights and negotiate a deal.\",\n      \"image\": {\n        \"@type\": \"ImageObject\",\n        \"url\": \"https:\/\/tunelockr.com\/wp-content\/uploads\/2026\/08\/sell-a-song-to-an-artist-tunelockr.png\",\n        \"width\": 1200,\n        \"height\": 630\n      },\n      \"author\": {\n        \"@type\": \"Organization\",\n        \"name\": \"TuneLockr\",\n        \"url\": \"https:\/\/tunelockr.com\/en\/\"\n      },\n      \"publisher\": {\n        \"@type\": \"Organization\",\n        \"name\": \"TuneLockr\",\n        \"url\": \"https:\/\/tunelockr.com\/en\/\"\n      },\n      \"dateModified\": \"2026-08-19\",\n      \"inLanguage\": \"en\",\n      \"keywords\": [\n        \"sell a song to an artist\",\n        \"how to sell a song to an artist\",\n        \"pitch a song to an artist\",\n        \"sell songs to artists\",\n        \"song pitching\",\n        \"song placement\",\n        \"sell song lyrics\"\n      ]\n    },\n    {\n      \"@type\": \"BreadcrumbList\",\n      \"@id\": \"https:\/\/tunelockr.com\/en\/sell-a-song-to-an-artist\/#breadcrumb\",\n      \"itemListElement\": [\n        {\n          \"@type\": \"ListItem\",\n          \"position\": 1,\n          \"name\": \"Home\",\n          \"item\": \"https:\/\/tunelockr.com\/en\/\"\n        },\n        {\n          \"@type\": \"ListItem\",\n          \"position\": 2,\n          \"name\": \"Music Protection\",\n          \"item\": \"https:\/\/tunelockr.com\/en\/how-to-protect-your-music\/\"\n        },\n        {\n          \"@type\": \"ListItem\",\n          \"position\": 3,\n          \"name\": \"Sell a Song to an Artist\",\n          \"item\": \"https:\/\/tunelockr.com\/en\/sell-a-song-to-an-artist\/\"\n        }\n      ]\n    },\n    {\n      \"@type\": \"HowTo\",\n      \"@id\": \"https:\/\/tunelockr.com\/en\/sell-a-song-to-an-artist\/#howto\",\n      \"name\": \"How to Sell a Song to an Artist in 8 Steps\",\n      \"description\": \"The practical process songwriters use to pitch and sell an original song to a recording artist.\",\n      \"image\": {\n        \"@type\": \"ImageObject\",\n        \"url\": \"https:\/\/tunelockr.com\/wp-content\/uploads\/2026\/08\/sell-a-song-to-an-artist-tunelockr.png\"\n      },\n      \"step\": [\n        {\n          \"@type\": \"HowToStep\",\n          \"position\": 1,\n          \"name\": \"Finish a pitchable version of the song\",\n          \"text\": \"Complete a demo that clearly communicates the melody, hook, lyrics and structure, even without full commercial production.\"\n        },\n        {\n          \"@type\": \"HowToStep\",\n          \"position\": 2,\n          \"name\": \"Clarify the writers, contributors and splits\",\n          \"text\": \"Identify every songwriter and contributor involved and clarify songwriting splits before the song is pitched.\"\n        },\n        {\n          \"@type\": \"HowToStep\",\n          \"position\": 3,\n          \"name\": \"Document the exact version before sharing it\",\n          \"text\": \"Create a timestamped, verifiable record of the specific demo version before it leaves your control, for example with TuneLockr.\"\n        },\n        {\n          \"@type\": \"HowToStep\",\n          \"position\": 4,\n          \"name\": \"Research artists who genuinely fit the song\",\n          \"text\": \"Look at an artist's current sound, vocal range, lyrical themes and recent releases to judge whether the song is a credible fit.\"\n        },\n        {\n          \"@type\": \"HowToStep\",\n          \"position\": 5,\n          \"name\": \"Identify the right contact\",\n          \"text\": \"Find the artist, manager, producer, publisher or A&R representative who actually receives outside song submissions.\"\n        },\n        {\n          \"@type\": \"HowToStep\",\n          \"position\": 6,\n          \"name\": \"Send a short, targeted song pitch\",\n          \"text\": \"Send a concise, personalized pitch with a private listening link, song title, writer information and a clear reason the song fits the artist.\"\n        },\n        {\n          \"@type\": \"HowToStep\",\n          \"position\": 7,\n          \"name\": \"Discuss price, publishing, credits and rights\",\n          \"text\": \"If there is interest, clarify upfront payment, publishing participation, songwriting credit, royalties, exclusivity, territory and term.\"\n        },\n        {\n          \"@type\": \"HowToStep\",\n          \"position\": 8,\n          \"name\": \"Put the final agreement in writing\",\n          \"text\": \"Finalize the agreement in writing before rights are transferred or master recordings and stems are delivered.\"\n        }\n      ]\n    },\n    {\n      \"@type\": \"FAQPage\",\n      \"@id\": \"https:\/\/tunelockr.com\/en\/sell-a-song-to-an-artist\/#faq\",\n      \"mainEntity\": [\n        {\n          \"@type\": \"Question\",\n          \"name\": \"Can I sell a song I wrote to an artist?\",\n          \"acceptedAnswer\": {\n            \"@type\": \"Answer\",\n            \"text\": \"Yes. Songwriters can pitch original songs to recording artists, publishers, producers and other music-industry professionals. The exact agreement may involve recording permission, publishing, licensing, assignment or another contractual structure.\"\n          }\n        },\n        {\n          \"@type\": \"Question\",\n          \"name\": \"How do I sell a song to an artist?\",\n          \"acceptedAnswer\": {\n            \"@type\": \"Answer\",\n            \"text\": \"Prepare a strong demo, clarify the writers and ownership information, document the version before sharing it, research artists who genuinely fit the song, identify the correct contact, send a concise professional pitch and negotiate the specific rights and payment if someone becomes interested.\"\n          }\n        },\n        {\n          \"@type\": \"Question\",\n          \"name\": \"How much can I sell a song to an artist for?\",\n          \"acceptedAnswer\": {\n            \"@type\": \"Answer\",\n            \"text\": \"There is no universal price. The value depends on the artist, songwriter, rights requested, exclusivity, territory, publishing participation, royalties, upfront payments and other contract terms.\"\n          }\n        },\n        {\n          \"@type\": \"Question\",\n          \"name\": \"Do artists buy songs from songwriters?\",\n          \"acceptedAnswer\": {\n            \"@type\": \"Answer\",\n            \"text\": \"Artists regularly record songs written or co-written by outside songwriters. The arrangement is not always a simple one-time purchase because the songwriter may retain rights or royalty participation depending on the agreement.\"\n          }\n        },\n        {\n          \"@type\": \"Question\",\n          \"name\": \"Should I protect my song before sending it to an artist?\",\n          \"acceptedAnswer\": {\n            \"@type\": \"Answer\",\n            \"text\": \"Keeping source material and documenting the exact version before it circulates creates a clearer timeline of what existed before the pitch. Songwriters should preserve drafts, project files, exports and relevant communications.\"\n          }\n        },\n        {\n          \"@type\": \"Question\",\n          \"name\": \"Do I need a music publisher to sell songs to artists?\",\n          \"acceptedAnswer\": {\n            \"@type\": \"Answer\",\n            \"text\": \"No. Songwriters can pitch independently. Publishers can nevertheless provide industry relationships, professional pitching, rights administration and co-writing opportunities depending on the publishing agreement.\"\n          }\n        },\n        {\n          \"@type\": \"Question\",\n          \"name\": \"Can I pitch the same song to multiple artists?\",\n          \"acceptedAnswer\": {\n            \"@type\": \"Answer\",\n            \"text\": \"Potentially yes, unless a contract, exclusive hold, publishing agreement or other commitment prevents it. Songwriters should never promise conflicting exclusivity to several parties.\"\n          }\n        },\n        {\n          \"@type\": \"Question\",\n          \"name\": \"What is the difference between selling a song and selling the master?\",\n          \"acceptedAnswer\": {\n            \"@type\": \"Answer\",\n            \"text\": \"The musical composition and a particular sound recording are separate works. An artist can record a songwriter's composition and create a new master without necessarily purchasing the songwriter's existing demo recording.\"\n          }\n        },\n        {\n          \"@type\": \"Question\",\n          \"name\": \"Does TuneLockr sell my song to artists?\",\n          \"acceptedAnswer\": {\n            \"@type\": \"Answer\",\n            \"text\": \"No. TuneLockr is not an artist-placement agency. It helps music creators document works before pitching, sharing or collaborating. The songwriter remains responsible for pitching and negotiating the commercial agreement.\"\n          }\n        }\n      ]\n    }\n  ]\n}\n<\/script>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-89c7c74 e-flex e-con-boxed e-con e-parent\" data-id=\"89c7c74\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Songwriting Guide \u00b7 Updated 2026 \u00b7 TuneLockr How to Sell a Song to an Artist: The Complete Songwriter Guide If you want to sell a song to an artist, the process usually involves much more than sending an MP3 and asking for a price. You need a song that fits the artist, a strong demo, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9404,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-9401","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/tunelockr.com\/es\/wp-json\/wp\/v2\/pages\/9401","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tunelockr.com\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tunelockr.com\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tunelockr.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tunelockr.com\/es\/wp-json\/wp\/v2\/comments?post=9401"}],"version-history":[{"count":16,"href":"https:\/\/tunelockr.com\/es\/wp-json\/wp\/v2\/pages\/9401\/revisions"}],"predecessor-version":[{"id":9420,"href":"https:\/\/tunelockr.com\/es\/wp-json\/wp\/v2\/pages\/9401\/revisions\/9420"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tunelockr.com\/es\/wp-json\/wp\/v2\/media\/9404"}],"wp:attachment":[{"href":"https:\/\/tunelockr.com\/es\/wp-json\/wp\/v2\/media?parent=9401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}